Scholar and Servant

Artist Huang Shen (Chinese, 1687–1773)

DateLate 17th century

MediumHanging scroll: ink and colors on paper

Dimensions21 1/2 x 21 inches (54.6 x 53.3 cm)

CultureChina

ClassificationsPaintings

Credit LineGift of Dr. and Mrs. Frederick Baekeland

Terms

Paintings
Scroll
Hanging scroll: ink and colors
Chrysanthemums
Elderly
Flowers
Inscriptions
Men
Musical instruments
Qin
Servants
Vases
Youth
Paper

Object number79.092.005

Label CopyInscribed: The autumn sentiment in the old garden is subtly austere. Gazing at the yellow flowers, he is reminded of his integrity in his late years, like the fragrance of chrysanthemums. Playing the qin counted as one of the Four Arts (siyi) of Chinese scholars, along with qi (a Chinese chessboard game, also known by its Japanese name go), shu (calligraphy and books), and hua (painting). Prominent among literati associated with playing the qin was the poet Tao Qian (372-427), who made reference to the instrument in many of his poems. An exemplar of the scholar recluse, Tao Qian served as a government official, but then retired to the country, where his leisurely activities included cultivating chrysanthemums, drinking wine, writing poetry and playing the qin. The refined sounds of the zither’s silk strings were thought to contribute to one’s intimacy with nature, as well as to perfect the inner nature of the gentleman. Although he loved playing the qin, one day Tao Qian removed its strings, exclaiming “I have come to understand the deeper meaning of the qin. Why should I need the sound of the strings?”

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