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The Red Cliff

Artist (Japanese, 1795–1878)
DateEdo period, 1851
MediumHanging scroll: ink and color on silk
Dimensions12 1/8 x 18 1/4 inches (30.8 x 46.4 cm)
CultureJapan
ClassificationsPaintings
Credit LineGeorge and Mary Rockwell Collection
Terms
  • Paintings
  • Hanging scroll
  • Ink and color
  • Silk
  • Japanese
  • Japanese
Object number78.021
Label CopySon of the artist Haruki Nanko (1759–1839) and student of Tani Buncho, Nammei was a Nanga painter of the late Edo and early Meiji periods whose own style was rather eclectic, blending elements of various schools of Japanese painting with some Western influence. Here Nammei depicts a classic Chinese landscape subject that recalls the “Odes to the Red Cliffs,” the eleventh-century poet Su Shi’s series of rhapsodic essays on boating excursions with a few friends to this site on the Yangtze River. Written while he was exiled from government service, the odes convey Su Shi’s introspective thoughts and became a favorite subject of literati artists in China and Japan. The best known Chinese painting on the theme of Red Cliff was painted by Wu Yuanzhi (ca. 1190–1196) of the Jin dynasty, and is now housed in the National Palace Museum, Taipei. ("Tradition, Transmission, and Transformation in East Asian Art," curated by Cornell PhD student Yuhua Ding under the supervision of Ellen Avril and presented at the Johnson Museum January 23-June 12, 2016)
Collections
Homecoming of Tao Yuanming
Haruki Nanko
late 18th-early 19th century
Chinese Poet Tao Yuanming
Haruki Nanko
late 18th-early 19th century
Landscape
Shen Zhi
17th century
Gibbon attempting to catch the reflection of the moon
Unidentified artist
late 16th or early 17th century
Landscape
Kuncan
1663
Landscape
Wang Hui
The Red Cliff
Fu Ershi
1978; 20th century
Two Fishermen
Li Boding
1900
The Ferryboat
Yamaguchi Soken
Edo Period (1615-1867)
Fisherman in a boat beside cliffs
Qian Du
late 18th-early 19th century
Landscape
Unidentified artist
Landscape
Lan Ying
1655