All
Acoma pueblo
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Born 1984 in Italy; lives and works in New York
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British and American
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Cuban, active in the United States
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Czech, active in Europe and the United States
Czechoslovakian
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Danish (?)
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Dutch, active in Amsterdam, Paris, and New York
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East Malaysian, Sarawak, Dayak culture
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English
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France
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German
German (?)
German(?)
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Germany
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Italian and American
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Japanese
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Japanese, born China
Jinang (Indigenous Australian)
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Kenyan, active in the United States
Kiowa
Kiowa/Pawnee/Arapaho
Korean
Korean / American
Korean, 1920-1976
Kwakiutl
Kwakiutl (Canada)
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Laotian
Laotian-American, born Thailand
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London, England
Lower Cayuga Band, Iroquois Nation
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Maidu
Malaysian
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Netherlandish, active in Italy
New Zealand
New Zealander
Nez Perce
Nigerian
Nigerian (Yoruba culture)
Nigerian American, born in the United Kingdom
Nonuya, born in Cahuinari region, Colombia
North Netherlandish
Norwegian
Ohkay Owingeh (formerly San Juan Pueblo)
Onödowa’ga:’ (Seneca), Deer Clan
Osage/Cherokee
Osage/Yuchi/Creek
Pakistani
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Polish, active in the United States
Portuguese
Portuguese-British
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Roman
Romanian
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Russian, born in Warsaw
Russian-American
San Ildefenso Pueblo
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Scottish
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Spanish-American
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Swedish, active in the United States
Swiiss
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Swiss, active England
Swiss, active France
Swiss, active in Germany
Taiwanese
Taos
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Thai
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Tibetan, born Bhutan
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Tlingit
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Tlingit/Unangax, born Sitka, Alaska
Tohono O'odham/Maricopa/Pima
Tongva/Ajachmem
Turkish
Turkmenistan
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Tuscarora, Algonquin, and Mohawk
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Ukrainian, active in the United States
Umatilla/Cayuse/Walla Walle/Nez Percé
United States
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Venezuelan, born France
Vietnamese
Vietnamese, active in France
Vietnamese-American
Welsh
Wirrimanu (Balgo Hills)
Yugoslavian
Zia Pueblo
Zuni
active in Italy
born Venezuela, lives and works in Germany

All
11/07/2013 Annette Sacks Friedman was born May, 25 1917, deceased November 3, 2013. Beloved Mother of Sandra Friedman Alpert and Ronald Friedman. Adored Mother-in-law of Mickey Alpert and her NZ grandson, Peter Friedman. Museum Class sculptor famous for bronzes including “Family Commitment” ( Johnson Museum) Famous collectors of her elegant Bronze and Marplex originals include Jose Carreras, tenor and Nuri Yurt, whose influential hair style clients include many outstanding women including two Presidents’ wives. All of Annette’s lost wax casting has been done by the highly regarded Ranieri Casting Studio, who departed from Prince Street after the tremendous trauma of 911 and now casts in Long Island City. Annette was one of Sir Dominic Ranieri’s first customers even though he just arrived from Italy with few English skills. When they first met, she was studying sculpture under Chiam Grosse after twenty years of oil painting and she spoke no Italian. In spite of their age and culture differences, Annette and Dominic always understood each other through the language of the art of the human heart. They remained lifelong friends. Annette is one of the first artists to sculpt in clay and cast in Marplex, a new resin developed by Ranieri. Her “Serenity Bird” is a gorgeous pink example of Ranieri’s new resin, Marplex, which combines the luminosity of Plexiglas with the permanence of Marble. Annette’s sculpture “Reflection” was bought by Barcelona tenor, Jose Carreras on the opening day of one of a D.C. art show. The show was unique as it featured Annette’s art, secluded under beautiful Indian silk saris, unveiled slowly to a reading of a script created by her daughter, read by poet, Lane Jennings, and danced by a young ballet dancer from The Washington Ballet School accompanied by the music of two New York musicians. Turkish TV news covered this star studded, well attended, highly successful show at Toka, D.C. Other outstanding shows of Annette’s art include pieces selected by Virlana Tkacz, the talented producer of works at La Mama and Yara Art Shows at the Ukrainian Institute’s mansion at Fifth Avenue and Central Park, as well as Annette’s exclusive exhibition at the Washington Women’s Democratic Club. Mrs. Friedman was also part of the shows “Three Points of View” and “Is American Democracy Falling Apart?” where she showed selected distinguished sculptures. In the latter show, she featured an antique scale( her daughter found) showing Annette’s White Marplex bird far outweighing Annette’s Black Identical Twin bird, thus highlighting racial inequities in America . Annette often got productive ideas, such as the original sculpture “Woman Swimming against the Current,” (created in Marble and cast in Marplex) from a discussions with her daughter and exploration of Sandy’s belief system. Annette served on the Board for Sandy’s not for profit organization, Fine Art for World Peace. Although she won an Ivy League Art Show competition, Annette’s powerful Bronze “Family Commitment,” (which her daughter rescued from the family trashcan) was subsequently accepted in the prestigious Johnson Museum Collection at a wonderful ceremony at Cornell University. Annette lacked the artistic ego, but thrived on the encouragement of Ranieri, Sandy and her whole family’s love of her work. Mother and daughter frequented the New York art museums and galleries and her daughter, a writer/editor created and published a poetic catalog for Annette, titled after her daughter’s favorite sculpture, “Family Commitment”. This catalog featured an imaginative tale of an American Indian’s Vision Quest as a metaphor for Annette’s artistic journey from talented oil painter to incredibly gifted sculptor. In line with her daughter’s interest in the American Indian culture, Annette sculpted an Indian Woman and a little bird piercingly focused eye to eye titled “Agape” by Sandy. The Mother and daughter team collaborated with the highly talented architect/artist, Armen Kankanian on a very original concept featuring a “Fountain Of All Faiths” and many collective ideas, in a design which was submitted, but not chosen, for the new World Trade Center for their loved, tragically damaged, New York City. In the same direction, Annette assisted her daughter in assembling and editing a creative book about September 11, “Reflections.” Annette is one of the very few adults to survive the NY polio epidemic. In large part, she survived because her husband refused to put her in an iron lung and brought in physical therapists to manipulate her limbs. In addition to looks and artistic originality and recognition, Annette survived as a strong amateur athlete and became the first woman golfer to score a hole in one on the island of Jamaica. After she and her husband, Sidney flew back from a business trip in Europe, they won the husband and wife golf tournament at Ridgeway Country Club in White Plains on the same day they arrived. Her Father, Nathan, a Mason, owned Eastern Farms Dairy. Her sense of responsibility and honor came in part from her Father, who refused to leave the school children and hospital patients without milk during the big milk strike in New York City. Her Mother Sadie Bleistift Sacks, a college teacher at Hunter College, and a dedicated philanthropist, initiated the raising of funds for a TB Hospital for her Brooklyn neighborhood. In addition, she was the first known NY coach of a male basketball team. One of Annette’s aunts married into the Seagram’s family and another opened the first and greatly successful Jewish deli in Tokyo, Japan. Annette was a graduate of Cornell University and the spouse of prominent Wall Street attorney Sidney O. Friedman (deceased). Sidney was attorney to a very unique group of financial investors, actors and sports figures. Mr. Friedman saved Mickey Mantle from a lifetime low contract that Mickey signed on his train ride to the Yankees from Tulsa and Sidney successfully intervened for the Yankee players involved in the well covered “Copacabana brawl”. Sidney represented Dan Topping and the NY Yankees as well as Madison Square Garden, Betsy Bloomingdale, Audrey Hepburn, the French Rothschild’s and Joseph Mankiewicz, Producer of “Cleopatra” and “Barefoot Contessa”. He also represented Georges Lurcey, the prominent American collector of French Impressionist Art as well as many other distinguished gallery owners and classical music performers and luminaries of their time. Among the pleasures of entertaining with his internationally renowned clientele, Annette and Sidney enjoyed a private tour of Versailles and an invitation to Audrey Hepburn’s private villa in Marbella, Spain. Annette was a beautiful woman and fabulous, polished hostess, often finding and featuring young, promising musicians to play piano and sing at their upper West Side home. Her Husband adored her, although they came from vastly different backgrounds. He climbed out of the lower East Side to attend City and then Columbia Law School. Too young to take, Sidney made law review and clerked for a famous Judge in the case of the Triangle Shirtwaist Factory. He won over his skeptical Mother-in-law by his beautifully written romantic suitcase of love letters which he wrote to Annette. He also won over Annette’s twin brother, Fred, by beating him in in a tennis match. Annette’s family recognized the love between the two of them and remained proud of Sidney’s legal work which included his swearing in at the Supreme Court to argue and win for his British clients. Her twin brother Fred won many matches with his polo ponies at Cornell but was most distinguished as a Captain in the American Air Force where he and his crew laid down airstrips in undeveloped places for the Allied Forces’ landings. Annette is missed for her incredible warmth, vast talent and her originality. A documentary film about Annette’s life and artistic work is in progress. www.airpano.ru/files/Rome-Italy/2-2
1600-1682
1808 - 1897
1875-
1892-1902
1933-
1949-
?
American
American (1891 - 1971)
American (born Hungary), 1895-1946
American (born Hungary?), b. 1906
American 1875-1962
American, 1837-1926
American, 1874-1940
American, 1920-1984
American, 1927-1987
American, 1941-
American, 1755-1828
American, 1785-1851
American, 1801 - ca. 1856
American, 1801-1846
American, 18041865
American, 1812-after 1886
American, 1813-1888
American, 1814-1889
American, 1819-1904
American, 1820-1903
American, 1822-1900
American, 1825-1894
American, 1830-1902
American, 1834-1903
American, 1835-1921
American, 1836-1897
American, 1836-1910
American, 1844-
American, 1844-1894
American, 1844-1916
American, 1844-1926
American, 1848-1919
American, 1848-1933
American, 1849-1916
American, 1852 - 1931
American, 1855-1942
American, 1857-1922
American, 1857-1926
American, 1859-1924
American, 1859-1935
American, 1859-1937
American, 1860-1926
American, 1861-1912
American, 1862-1951
American, 1863-1946
American, 1864-1940
American, 1864-1941
American, 1864-1946
American, 1865-1931
American, 1868-1932
American, 1869-1959
American, 1870-1953
American, 1871-1946
American, 1871-1951
American, 1871-1956
American, 1874-1940
American, 1876-1953
American, 1877-1943
American, 1877-1949
American, 1877-1969
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American, 1878-1956
American, 1878-1970
American, 1879-1954
American, 1879-1973
American, 1880-1959
American, 1881-1971
American, 1882-1925
American, 1882-1940
American, 1882-1966
American, 1882-1967
American, 1885-1956
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American, 1887-1953
American, 1890-1976
American, 1891-
American, 1891-1978
American, 1892-1942
American, 1893-1964
American, 1893-1967
American, 1893-1982
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American, 1895-1941
American, 1895-1965
American, 1895-1968
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American, 1901-1978
American, 1903-
American, 1903-1971
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American, 1904-1959
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American, 1904-1971
American, 1904-1999
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American, 1907-1967
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American, 1909-1963
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American, 1911-1955
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American, 1925-1969
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American, 1929-2013
American, 1930 - 1999
American, 1930-
American, 1930-1987
American, 1930-1992
American, 1930-2024
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American, 1932-1997
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American, 1934-2015
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American, 1937-1966
American, 1937-2020
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American, 1938-1973
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American, 1940-1993
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American, 1943-
American, 1943-1978
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American, 1946-
American, 1946-1989
American, 1947-
American, 1948-
American, 1951-
American, 1952-
American, 1953-
American, 1954-
American, 1956-
American, 1957-
American, 1958-
American, 1958-1981
American, 1958-1990
American, 1959-
American, 1965-
American, 19th-20th century
American, 20th Century
American, 20th c.
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American, active ca. 1880-1910
American, active late 19th century
American, b. 1956
American, b. 1957
American, b. Germany, 1921-1997
American, b. Italian in China, 1933-
American, born 1896
American, born 1897
American, born 1903
American, born 1904
American, born 1905
American, born 1910
American, born 1914
American, born 1915
American, born 1916
American, born 1917
American, born 1919
American, born 1920
American, born 1921
American, born 1923
American, born 1925
American, born 1926
American, born 1927
American, born 1928
American, born 1929
American, born 1930
American, born 1931
American, born 1932
American, born 1933
American, born 1934
American, born 1935
American, born 1936
American, born 1937
American, born 1938
American, born 1939
American, born 1940
American, born 1941
American, born 1942
American, born 1943
American, born 1944
American, born 1945
American, born 1946
American, born 1947
American, born 1948
American, born 1949
American, born 1950
American, born 1951
American, born 1952
American, born 1953
American, born 1954
American, born 1955
American, born 1957
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American, born 1961
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American, born Ukraine, 1899-1988
American; Italian, 1915-1978
Argentinean
Argentinian, born 1941
Artist "identifies" with the Class of 1962, but did not graduate from Cornell. She is an alumna of Oberlin College.
Australian, born 1949
Austrian, 1730 - 1771
Austrian, 1868-1918
Austrian, 1886-1980
Austrian, 18th century
Austrian, 1920
Austrian, 1928-
Austrian, active 1871 to 1885
Bahamanian, 1964-
Belgian, 1860-1949
Belgian, 1898-1967
Belgian, 1922-
Belgian, born 1927
Born 1832 in Virginia; died 1921 in Rogersville, TN
Born in Los Angeles, 1924; later settled in France.
Brazilian, born 1944
British
British, 1661-1733
British, 1696 - 1779
British, 1701-ca. 1780
British, 1723-1810
British, 1727-1753
British, 1734-1802
British, 1738-1820
British, 1743-1827
British, 1756-1827
British, 1762-1832
British, 1769-1852
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British, 1791-1857
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British, 1841-1906
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British, 1857-1945
British, 1864-1933
British, 1865 - 1945
British, 1869-1952
British, 1874 - 1949
British, 1876-1953
British, 1879-1954
British, 1879-1955
British, 1882 - 1957
British, 1883 - 1959
British, 1899 - 1947
British, 1899-1972
British, 1902 -
British, 1902-1972
British, 1905-1983
British, 19th century
British, active 1791-1819
British, active 1816
British, active ca. 1816
British, born 1893
British, born 1915
British, born 1924
British, born 1937
British, born 1953
British, born 1956
British, born 1960
British, born Egypt
British, born Iraq, 1950-
British, ca. 1705-1758
British, ca. 1729-1765
British, op. 1742 - died 1758
Canadian, 1909-1977
Chilean, born 1940
Chinese
Chinese, died ca. 1795
Chinese, 1245-1320
Chinese, 1398-1435 (r. 1426-35)
Chinese, 1459-1508
Chinese, 1470-1559
Chinese, 1483-1544
Chinese, 1487-1561
Chinese, 1492–1563
Chinese, 1508-1572
Chinese, 1555-1636
Chinese, 1570-1641
Chinese, 1570-1661
Chinese, 1570-after 1633
Chinese, 1585-after 1660
Chinese, 1592-1680
Chinese, 1596-1673
Chinese, 1598-1677
Chinese, 1612-1674 or later
Chinese, 1615-1698
Chinese, 1623-1697
Chinese, 1623-1709
Chinese, 1626-1705
Chinese, 1628-1699
Chinese, 1632-1690
Chinese, 1632-1717
Chinese, 1632-1718
Chinese, 1642-1715
Chinese, 1644-after 1727
Chinese, 1647-1709
Chinese, 1665-ca. 1750
Chinese, 1672-1734
Chinese, 1687-1772?
Chinese, 1693-1765
Chinese, 1699-1769
Chinese, 1708-1761
Chinese, 1708-1793
Chinese, 1718-1799
Chinese, 1720-1772
Chinese, 1746-1803
Chinese, 1756-1843
Chinese, 1761-1829
Chinese, 1763-1844
Chinese, 1768-1822
Chinese, 1774-1829
Chinese, 1775-1850
Chinese, 1781-1828
Chinese, 1799-1870
Chinese, 17th century
Chinese, 1803-1886
Chinese, 1820-1884
Chinese, 1823 - 1886
Chinese, 1823-1886
Chinese, 1835-1884
Chinese, 1835-1893
Chinese, 1835-1896
Chinese, 1835-1908
Chinese, 1840-1880?
Chinese, 1840-1896
Chinese, 1844-1927
Chinese, 1846-1931
Chinese, 1848-1903
Chinese, 1851-1920
Chinese, 1853-1901
Chinese, 1863-1957
Chinese, 1879-1964
Chinese, 1886-1971
Chinese, 1888-1948
Chinese, 1896-1963
Chinese, 1898-1985
Chinese, 1898-1992
Chinese, 1899-1977
Chinese, 1899-1983
Chinese, 18th century
Chinese, 1902-1978
Chinese, 1904-1965
Chinese, 1904-1981
Chinese, 20th century
Chinese, Qing Kangxi Period (1662-1722)
Chinese, active 11th century
Chinese, active 1650-1680
Chinese, active 1725-1747
Chinese, active ca. 1660-1700
Chinese, active early 17th century
Chinese, active early 18th century
Chinese, active late 18th century
Chinese, b. 1954
Chinese, born 1885
Chinese, born 1907
Chinese, born 1921
Chinese, born 1934
Chinese, born 1943
Chinese, born 1952
Chinese, born late 17th century
Chinese, ca. 1354-1428
Chinese, ca. 1680-1760
Chinese, died 1916
Chinese, fl. late 17th century
Colombian, 1932-
Cuban, 1902-1982
Czech, 1607-1677
Czech, 1896-1976
Czech, born 1914
Czech, born 1935
Czechoslovakian, 1860-1939
Danish, 1914-1973
Dutch
Dutch, 1498-1574
Dutch, 1546-1624
Dutch, 1558-1617
Dutch, 1564 - 1651
Dutch, 1565-1629
Dutch, 1571-1631
Dutch, 1580-1633
Dutch, 1591-1624
Dutch, 1595-1642
Dutch, 1598-1657
Dutch, 1606-1669
Dutch, 1607-1674
Dutch, 1609/10-1690
Dutch, 1610-1685
Dutch, 1612 - 1661
Dutch, 1613/14-1652/53
Dutch, 1619-1668
Dutch, 1619-n.a.
Dutch, 1620-1691
Dutch, 1621-1675
Dutch, 1628-1682
Dutch, 1628/29 - 1658
Dutch, 1631/2 - 1664
Dutch, 1640 - 1707
Dutch, 1651/52 - 1726
Dutch, 1698-1780
Dutch, 1764-1834
Dutch, 1795-1858
Dutch, 17th century?
Dutch, 1839-1917
Dutch, 1868-1943
Dutch, 18th century
Dutch, 1904-1997
Dutch, born Amsterdam 1625
Dutch, c. 1623 - c. 1668
Dutch, ca. 1581 - 1659
Dutch, ca. 1590-1646 or 1647
Dutch, ca. 1596-1641
Dutch, ca. 1610 - after 1635
Dutch, ca. 1618-1652
Dutch, ca. 1622 - 1678
Dutch, ca. 1628 - 1671
Dutch, ca.1630-
England, 1853-1943
English
English, 1697-1764
English, 1723-1792
English, 1757-1827
English, 1769-1830
English, 1776-1837
English, 1815-1879
English, 1830-1901
English, 1863-1942
English, 1876-1938
English, 1882-1940
English, 1890-1957
English, 1894-1982
English, 1898-1986
English, 1908-1998
English, 1924-2013
English, 1931-
English, 1937-
English, 1945-
English, 1964-
English, born 1951
Flemish, 1528-1598
Flemish, 1532-1603
Flemish, 1561-1635
Flemish, 1599-1641
Flemish, 1614-1679
Flemish, 1627 - 1702
Flemish, 1640 - 1711
Flemish, 1663-1732
Flemish, 1722-1776
Flemish, ca. 1552-ca. 1624
Flemish, ca. 1610-1650
France, 1965-
French
French 1870-1936
French, 1536/8-bef. 1611
French, 1592-1635
French, 1602/4-1676
French, 1610 - 1678
French, 1613 - 1676
French, 1615 - 1675
French, 1618 - 1682
French, 1623 - 1678
French, 1636-1700
French, 1645 - 1728
French, 1645/46 - 1730
French, 1655 - 1733
French, 1659 - 1743
French, 1661-1722
French, 1663 - 1738
French, 1667-1756
French, 1673-1733
French, 1675 - 1724
French, 1680 - 1729
French, 1684-1721
French, 1687 - 1767
French, 1699 - 1773
French, 1703-1770
French, 1725-1805
French, 1730 - 1792
French, 1732-1806
French, 1734 - 1781
French, 1736-1810
French, 1741-1828
French, 1743 - 1793
French, 1745-1830
French, 1746 - 1831
French, 1752-1814
French, 1753-1820
French, 1755 - 1830
French, 1755-1832
French, 1789-1863
French, 1791-1824
French, 1798-1863
French, 17th century
French, 1807 - 1863
French, 1808-1879
French, 1812-1877
French, 1815-1882
French, 1816-1878/9
French, 1818-1898
French, 1820 - ca. 1880
French, 1822-1899
French, 1827-1906
French, 1829 - 1905
French, 1830-1903
French, 1831-1911
French, 1832-1883
French, 1834-1917
French, 1836-1904
French, 1837-1917
French, 1839-1906
French, 1840-1916
French, 1840-1917
French, 1841-1919
French, 1849 - 1918
French, 1849-1906
French, 1850-1924
French, 1856-1910
French, 1858-1927
French, 1859-1927
French, 1861-1944
French, 1863-1935
French, 1867-1947
French, 1868-1940
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French, 1871-1958
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French, 1875-1963
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French, 1880-1954
French, 1881-1955
French, 1882-1963
French, 1882-1985
French, 1883-1955
French, 1885-1937
French, 1887-1966
French, 1887-1968
French, 1892-1966
French, 1894-1972
French, 1894-1986
French, 1896-1987
French, 18th century
French, 1900-1955
French, 1901-1985
French, 1908-
French, 1923-1999
French, 1928-
French, 19th century
French, active 1751-1783
French, active 1776 - 1802
French, active ca. 1789
French, born 1893
French, born 1905
French, born 1921
French, born 1946
French, born Russia, 1890-1967
French, born Ukraine, 1885-1979
French, ca. 1520 - July 1, 1589
French, ca. 1646-1676
French, ca. 1735 - 1804/1809
French, ca. 1770 - 1831
French, died 1522
French-Hungarian, 1908-1997
French? Danish? 18th century
From Ro Gallery website, July 2014 Gisela Beker, (maiden name Sander) was born on October 9, 1932, in Danzig Germany (Poland since August 1945). Her public education started in 1938 up to 1945 in Danzig; 1945 to 1949 in East Germany and 1949-1952 in Duesseldorf, West Germany where she studied under Rudolf Kroll. Rudolf Kroll, taught at the Bauhaus School in Berlin before Hitler closed that world famous, progressive Art Institution in 1933. Beker was impressed by Kroll's determination, ideas and compassion to continue teaching in the style of the Bauhaus School which was founded in 1919 by Walter Gropius. Kroll did not permit his students to sketch what they intended to paint. His Philosophy was: "A sketch is the original art work which must not be copied by the artist and transferred to canvas or paper". His student were taught to let the imagination flow as the artist starts to paint. Beker does not own a "sketch book", every canvas and work on paper was approached with expectation of creating a masterpiece. In 1953, Gisela met her husband, they married in 1956 in NYC and were blessed with three, great sons. Beker is a US citizen since 1961. A friend, Eva Pape, an art patron arranged a solo exhibition for Gisela at the Bodley Gallery on Madison Avenue in NYC, in May 1973. Her early paintings of precise, geometric shapes, floated on the underpaint of impressionistic shades. Art critic, Gordon Brown, (Arts Magazine September/October issue, published in NYC in 1973), writes: "... the cloud like colors of the underpainting create a comparatively new kind of depth and movement ... since the clouds of the underpainting seems to be sailing through the air as if they were real. There is an unexpected touch of naturalism here..." Critics in in the US and in Europe praised her work and gave her brillian reviews. In 1975, Beker eliminated the "underpainting" and concentrated on precise, concentric circles which created depth by reducing or increasing the size of each circle and darkened or lightened the colors to create the optical elusion of movement. Over the years, Beker introduced abstract expressionism, fantasy and realism into the center. The series of her "Modern Mandalas" was established. Gisela Beker's painting "Graduation Orange" received the Palmes d'Or, (Golden Palm) on July 24, 1974, at the International Art Festival in Paris France. 122 artists from around the world competed for France's top Award. Queen Fabiola of Belgium was the promoter of the Event. In 1983 Beker decided to move to Florida to get away from all of the stress. However, she never gave up her beloved profession to paint. Her style has continued from Hard Edge to Abstract, Fantasia and Realism into the concentric, precise circles. At her age of 78, she paints daily! Gisela Beker made History in 2010. Every time a new president gets into The White House, artists from around the USA paint the Image of the new president to add to our History. Beker did two paintings of Obama and one of the president and his wife. All three paintings were accepted – and – now she is in the permanent White House Collection. She quotes: "My thanks to the President, First Lady, to the White House Curator and EVERYONE involved in having voted my work into THE WHITE HOUSE COLLECTION. This is indeed the highest honor I ever received." In 2011, Gisela Beker had her personal archive of work accepted into the Art and Artists files included at the Smithsonian Institution in Washington DC. http://rogallery.com/Beker/Beker-biography.html
German, 1471-1528
German, 1472-1553
German, 1480-1538
German, 1484-1545
German, 1503-1553
German, 1564/66 - 1638
German, 1578-1610
German, 1712-1775
German, 1726-1801
German, 1747-1830
German, 1757 - 1828
German, 1794-1872
German, 1816-1859
German, 1819-1903
German, 1849-1938
German, 1857-1920
German, 1867-1945
German, 1868-1940
German, 1870-1928
German, 1870-1938
German, 1876 - 1944
German, 1880-1938
German, 1884-1950
German, 1884-1966
German, 1887-1948
German, 1889-1955
German, 1891-1969
German, 1891-1976
German, 1893-1959
German, 1897-1977
German, 18th century
German, 1906-1977
German, 1906-1999
German, 1928-
German, 1930 - 1999
German, 1932-
German, active 1481 - 1497
German, active in France, 1715-1808
German, born 1934
German, born 1948
German, born 1954
German, fl. 1900-1910
German; English, 1904-1983
Hipkiss are two people (Christopher Payer and Alpha Mason) who go by the single name: Hipkiss. For a time, the team was known as "Chris Hipkiss." In 2020, they asked the museum to identify them as "Hipkiss (pseudonym of Christopher and Alpha Mason)." The couple adopted the surname "Mason" when they were married. M. Conway, HFJ Registrar
Hungarian, 1913-1954
Hungarian, 1931-
Hungarian, 20th century
Indian
Irish, 1939-
Israeli, born 1957
Israeli, born 1965
Italian, ca. 1830 - ca. 1904
Italian, 1431-1506
Italian, 1490-1514/15
Italian, 1499-1546
Italian, 1501-1547
Italian, 1503-1540
Italian, 1510/15-1592
Italian, 1526-1612
Italian, 1560-1609
Italian, 1575-1642
Italian, 1581-1664
Italian, 1595/1602-1654
Italian, 1606-1680
Italian, 1674-1755
Italian, 1676 - 1730
Italian, 1682-1754
Italian, 1688-1768
Italian, 1696-1770
Italian, 1697-1768
Italian, 1710-1782
Italian, 1720-1778
Italian, 1727 - 1785
Italian, 1727-1804
Italian, 1727-1815
Italian, 1790 - 1857
Italian, 1860-1934
Italian, 1881-1966
Italian, 18th century
Italian, 1900-1964
Italian, 1912-1976
Italian, 1948-
Italian, act. 1627-1653
Italian, b. 1611 Lucca, d. 1650 Rome
Italian, born 1925
Italian, born 1946
Italian, born ca. 1512
Italian, c. 1480-c. 1534
Italian, ca. 1605 - ca. 1654
Italian, ca. 1610-ca.1661
Italian, ca. 1740 - 1798
Japanese
Japanese, 1611-1684
Japanese, 1721-1809
Japanese, 1736-after 1793
Japanese, 1753-1806
Japanese, 1759-1818
Japanese, 1760-1849
Japanese, 1761-1832
Japanese, 1763-1840
Japanese, 1769-1825
Japanese, 1771-1844
Japanese, 1776-1853
Japanese, 1778-1863
Japanese, 1783-1845
Japanese, 1787-1867
Japanese, 1797-1858
Japanese, 1798-1861
Japanese, 1801-1854
Japanese, 1826-1869
Japanese, 1831-1889
Japanese, 1843-1923
Japanese, 1844-1895
Japanese, 1851-1918
Japanese, 1875-1925
Japanese, 1876-1950
Japanese, 1877-1945
Japanese, 1891-1979
Japanese, 1893-1953
Japanese, 1903-1975
Japanese, 1911 - 1995
Japanese, 1936-
Japanese, 19th century
Japanese, active 1800s-1912
Japanese, born 1937
Japanese, born 1949
Japanese, born 1951
Lithuanian, 1887-1966
Lithuanian, 1891-1973
Married to Elizabeth Catlett from 1947 to his death in 2002
Mexican
Mexican, 1852-1913
Mexican, 1886-1957
Mexican, 1925-2002
Mexican, born 1911
Mexican, born 1920
Mexican, born 1924
Mexican, born 1934
Mexican, born 1943
Mexican, born 1952
Mexican, born 1953
Mexican, born Costa Rica, 1913-1998
Native of Hamburg, Germany, emigrated to the U.S. in 1848 and settled in Philadelphia. From 1857 to 1864 he was the assistant engraver at the U.S. Mint in that city. Best remembered for creating official awards for bravery authorized by Congress.
Nigerian, 20th century
Polish; German, 1902-1975
Romanian, 1914-1999
Russian, 1866-1924
Russian, 1866-1944
Russian, 1878-1965
Russian, 1884 - 1949
Russian, 1887-1985
Russian, 1890-1941
Russian, 1906-1969, active in France
Scottish, 1823-1893
Scottish, active 1743 - 1808
South African, born 1960
Spanish, 1746-1828
Spanish, 1881-1973
Spanish, 1898 - 1972
Spanish, 1904-1989
Spanish, born 1903
Spanish, born 1923
Sudanese
Sudanese, born 1930
Sudanese, born 1939
Swedish, 18531919
Swedish, born 1966
Swedish, worked in Great Britain, 1835-1921
Sweedish, born 1973
Swiss, 1681 - 1752
Swiss, 1879-1940
Swiss, 1887-1965
Swiss, 1901-1966
Swiss, 1908-1994
Swiss, born 1956
Taiwanese
Taiwanese, born 1947
Taiwanese, born 1955
Ukrainian, active in France and the United States, 1887–1964
Ukranian, 1882-1967
Unknown, unknown
WATERMAN--Judith. Painter and feminist, died quietly Thursday, June 5, 2014 with her partner Irena Klepfisz at her side in the Brooklyn home they've shared since June 1979. Born on August 19, 1936 in Barrington, IL Judy came to NY in 1961 and studied with Theodoros Stamos at the Art Students League and with Linda Nochlin at Hunter College where she received her MA in art history. She had many interests, was especially drawn to architecture, wrote her MA thesis on South Carolina barns, and painted and photographed rocks, marble and water. A voracious reader, she followed closely Second Wave writers and political journalists covering the Bush presidency and the Iraq war. She was devoted to the writings of Jane Jacobs, Ada Louise Huxtable, Robert Caro and the legal columnist Linda Greenhouse. Passionately committed to her art, she painted during the day and worked paid jobs in the afternoons and evenings. For decades she scavenged dumpsters at night for wood for stretchers for her wall-sized paintings. She received a New York State CAPS grant and taught art, art history and women's studies at Russell Sage, Fairleigh Dickenson, Vermont College and elsewhere. She exhibited in the Selinas and Third Street Galleries, Aldrich Museum, 55 Mercer, among others, and her work is in the collections of Finch College Museum, Albert Johnson Museum (Cornell College), Russell Sage College and Staten Island College. Through NYC's CETA arts program, Judy painted public murals and led art classes for seniors, her favorite work. In the 1990's she became active in her UFT chapter and, through DC37 and the Consortium for Workers Education, taught ESL and GED night classes to restaurant and hospital workers who spoke little or no English and for whom she created original stories and sketches. Of her teaching, one supervisor once said: "Judy can teach anything." Due to illness, she stopped working in 2010. She is mourned by her sister Sue Cooper, brother Tod Waterman, sister-in-law Lise Shellenback, nieces Hayley and Cooper, and life-long friends Janet Yacht, Susan Goldberg, Cheryl Rhuman, Marty Dolin and Julia and Isaiah Zagar, and by her devoted and loving partner Irena Klepfisz. Published in The New York Times on June 13, 2014. See more at: http://www.legacy.com/obituaries/nytimes/obituary.aspx?pid=171331272#sthash.Biqs1F3c.dpuf
american, born 1943
born 1975 in Jhang, Pakistan; lives and works in Lahore, Pakistan
c. 1684-1769

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