view single item

Photo credit: Herbert F. Johnson Museum of Art, Cornell University

IMPORTANT: Images displayed via this interface may NOT be reproduced without the express permission of the artist or the artist's representative. Please contact the Johnson Museum with any questions regarding image rights and reproduction.

Title: Stand on the Snow Gorge
Date: 1956
Medium: Color woodcut on wove paper
Edition 54/200
Dimensions: Image: 21 1/4 x 13 3/4 inches (54 x 34.9 cm); Sheet: 22 7/8 x 15 3/8 inches (58.1 x 39.1 cm)
Credit Line: Gift of Robert and Joan Bechhofer
Object Number: 91.079.104
Label Text: Azechi was one of the Japanese artists to find success after World War II with a resurgence in the West’s appreciation of Japanese woodcuts. It was during this period that his style solidified into his characteristic angular figures printed in bold colors. His subjects are most often drawn from the sights and folk customs of his native mountains—snowmen, mountaineers and birds. There is a haunting but also playful quality to the eyes and the solidity of his figures that always enchants. A mountaineer himself, his love of the outdoors and the simple life shine through.

The new Japanese printmakers came to the fore in the 1950s at the prestigious print exhibitions held in São Paulo, Brazil, where they garnered many of the top prizes, much to the surprise of the international competition. In stark contrast to the traditional ukiyo-e woodcuts, these new prints are simpler but more direct, with each step engineered by the artist himself, without the aid of a block cutter and master printer. ("Imprint/ In Print," curated by Nancy E. Green with assistance from Christian Waibel '17 and presented at the Johnson Museum August 8 - December 20, 2015)

NOTE: This electronic record is compiled from historic documentation which may not reflect the Johnson Museum's complete or current knowledge of the object. Review and refinement of such records is ongoing.