<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>https://emuseum.cornell.edu/internal/media/dispatcher/80278/full</schema:image><schema:name>Nocturne</schema:name><schema:dateCreated>1878</schema:dateCreated><schema:creator>[com.gallerysystems.emuseum.core.entities.RecordXPerson@13474]</schema:creator><schema:creator>com.gallerysystems.emuseum.core.entities.RecordXPerson@13474</schema:creator><schema:artMedium>Lithotint with chine collé on pale blue paper</schema:artMedium><schema:description>James Abbott McNeill Whistler
Lowell, Massachusetts 1834–1903 London
Nocturne
1888
Lithotint with scraping, on a prepared half-tint ground, on chine collé
Image: 6 3/4 x 10 1/8 inches (17.1 x 25.7 cm)
Sheet: 14 1/8 x 17 5/16 inches (35.9 x 44 cm)
Way 5; Tedeschi/Stratis 8 ii/ii
Bequest of William P. Chapman, Jr., Class of 1895
57.271

Whistler, more than any other artist, was responsible for importing the “nocturne” from music into visual art. In 1885, he spoke of the artist’s unique ability to capture the transformative effects of twilight in the city, magically converting, for example, London’s factories and warehouses into bell towers and palaces. Is this image London or Venice? Is the foreground figure a bargeman or a gondolier?

Stuart M. Blumin</schema:description><schema:artForm>com.gallerysystems.emuseum.core.entities.Classification@5e</schema:artForm><schema:url>https://emuseum.cornell.edu/objects/894/rdf</schema:url></schema:VisualArtwork></rdf:RDF>