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Ale Porte del Dolo (At the Dolo Locks)

Artist (Italian, 1697–1768)
Dateca. 1740–46
MediumEtching on laid paper
DimensionsImage: 11 7/8 x 17 1/8 inches (30.2 x 43.5 cm);
Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
ClassificationsPrints
Credit LineBequest of William P. Chapman, Jr., Class of 1895
Terms
  • Landscape
  • Italian
  • Etching
  • Boats
  • Business
  • Canals
  • Church of San Rocco, Dolo, Italy
  • Docks
  • Gondolas
  • River Brenta, Italy
  • Riverbanks
  • Rivers
  • Townscapes
  • Transportation
  • laid paper
Object number56.376
Label CopyAntonio Canal, known as Canaletto, was the son of a theatrical scene painter, Bernardo Canal, from whom he learned his technique. A native of Venice, he branched out in his own career, and specialized in depicting his home city in charismatic views of the canals and bridges. Unlike his contemporaries, Canaletto preferred to focus on quotidian scenes rather than the well-known monuments. He began primarily with drawings and paintings, and turned to etching later in his career, as the technique became revitalized in the 1740s. "Ale Porte del Dolo" is one of his earliest views, where a shadowed pleasure boat proceeds toward sunlit buildings in the background, exemplifying his exceptional attention to lighting and depth.
Collections
Le Porte Del Dolo [The Lock at Dolo]
Antonio Canaletto
ca. 1740 - 1746
Al Dolo (At Dolo)
Antonio Canaletto
ca. 1740–1746
La Piera del Bando, Venice (The Doges' Palace)
Antonio Canaletto
ca. 1740 - 1746
S. Giustina in Prà della Vale, Padua
Antonio Canaletto
ca. 1740 - 1746
La Terrasse (The Terrace)
Antonio Canaletto
ca. 1740 - 1746
Le Marché sur le Mole [Market on the Mole]
Antonio Canaletto
ca. 1740 - 1746
Frontispiece, Views of Venice
Antonio Canaletto
ca. 1741
Fantastic View of Padua
Antonio Canaletto
ca. 1740 - 1746