Vase, Gold With Vertebrae Markings and Iridescence
Artist
Louis Comfort Tiffany
(American, 1848–1933)
Dateca. 1894
MediumGlass
Dimensions11 x 5 1/2 inches (27.9 x 14 cm)
ClassificationsDecorative Arts
Credit LineEdythe de Lorenzi Collection
Bequest of Otto de Lorenzi
Terms
- Decorative Arts
- Glassware
- Vessels - Vases
- Glass
- Nature
Object number64.0842
Label CopyBRIEF DESCRIPTION
This tall Tiffany vase of gold, pink and green iridescent glass has a pattern resembling vertebrae covering the majority of vessel.
WHERE WAS IT MADE?
Tiffany glass was made at the Tiffany Glass Furnaces in Corona, located in Queens, New York.
WHO WAS THE ARTIST?
Louis Comfort Tiffany was the eldest son of Charles L. Tiffany, founder of Tiffany & Company, the New York jeweler. Tiffany was trained as a painter, studying with both George Inness and Samuel Coleman in New York and Leon Bailly in Paris. He eventually turned his attention to decorative arts and began experimenting with glass-making techniques in 1875. After success with stained glass windows and mosaics, Tiffany established the Tiffany Glass Company in 1885 and began devoting production to one-of-a-kind blown glass art objects. He soon became one of America’s most prolific designers, providing furniture, wallcoverings, textiles, jewelry and glass to some of society’s most important citizens.
HOW WAS IT MADE?
Like most Tiffany vases, this vase was created using a blowpipe. The iridescence of the glass was achieved by a process developed in the early 19th century in which metallic substances were either added to the batch when forming the vessel, or the surface of the vessel was coated with metallic oxides like stannous chloride or lead chloride before firing. Different oxides were known to produce different pigments.
WHY DOES IT LOOK LIKE THIS?
This vase is an example of Tiffany’s Favrile glass. In 1894, Tiffany patented his iridescent glass under the name Favrile. The word Favrile is derived from the Old English fabrile, meaning hand-wrought. Tiffany design was inspired by glass from ancient Rome and the Islamic world, Venice and Bohemia. Tiffany combined his talent as a colorist, naturalist, and designer with his experimentations on blown glass surfaces. Vessels were fumed with metallic oxides to achieve iridescence. To see other examples of Tiffany’s Favrile glass in the Johnson Museum’s collection, 57.072, 57.080, 57.088, 57.097, 57.106, 64.0840, 64.0841, 64.0843, 64.0850, 64.0865, 64.0875, 64.0879, 64.0885, 64.0889, 64.0898, 64.0904, 99.078.118 a,b, and 2001.075.003 in the keyword search box.
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