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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/107379/full</value></field><field label="Title" name="title"><value>Vina player entertaining a princess</value></field><field label="Date" name="displayDate"><value>ca. 1770–80</value></field><field label="Dimensions" name="dimensions"><value>Image area: 9 × 6 1/2 inches (22.9 × 16.5 cm);
Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm)</value></field><field label="Medium" name="medium"><value>Opaque pigments with gold and silver, laid down in a cropped album page with gilt margins and a floral design on the verso</value></field><field label="Credit Line" name="creditline"><value>Acquired through the George and Mary Rockwell Fund</value></field><field label="Object number" name="invno"><value>2017.015</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"><value>Paintings</value></field><field label="Id" name="id"><value>220600</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>50047</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"/><field label="Culture" name="culture"><value>India, Awadh region</value></field><field label="More Information" name="labelText"><value>Sitting on a terrace under the light of a full moon and stars, a vina player entertains a princess, who is accepting a cup from one of her attendants. The musician looks directly at the viewer, perhaps inviting participation in the enjoyment of the music. The princess is shown in three-quarters view, with elaborate garments and her face painted as a portrait; by contrast the other three figures are depicted as types. The princess can likely be identified as Bahu Begam, wife of the Shiiite Muslim ruler of the Avadh region, Nawab Shuja ud-Daula (reigned 1754-1775), based on the resemblance to known portraits of her.

Avadh paintings combine influences from a variety of sources due to artists migrating to the region’s courtly patrons as the Mughal empire waned and after Delhi was sacked by Persian ruler Nadir Shah in 1739. 
</value></field><field label="Media" name="media"><value>2017.015.1stview</value><value>2017.015.2ndview</value></field></object>