Orchids in Full Bloom
Artist
Kubo Shunman
(Japanese, 1757–1820)
Dateca. 1812
MediumColor woodblock print
Dimensions7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
ClassificationsPrints
Credit LineGift of Joanna Haab Schoff, Class of 1955
Terms
- Surimono
- Color woodblock print
- Poetry
- Orchids
- Japanese
Object number2011.017.002
Label CopyCommissioned by Poets of Suwa for a Midsummer, ca. early 1810s
Te no uchi ni It leaves darkness
Yami wo nokoshite In the palm of my hand—
Tobu hotaru The departing firefly —Sei’i
Hitai kara I awake from a dream
Yume wa sametari Emerging from my forehead
Natsu no tsuki The moon of summer —Banshi
Hototogisu At the sight
Tonde yuku ni mo Of the cuckoo flying off—
Aita kuchi My jaw drops —Jukujin
Hototogisu The cuckoo cries—
Naku ya shinobu no A message to the house
Yado-dayori With shinobu plants
—Sobaku
Oto suru wa Making that sound
Keshi no kara nari The husks of poppies—
Aoarashi A storm of blue —Den’nen
This midsummer surimono, with its seasonally appropriate image of orchids in full bloom, was commissioned by haikai poets of the Suwa region, well north of Edo. As in many haikai surimono, their poetry has no direct relationship to the image, as though each poem was produced as an independent reaction to changes in the natural world, the only thematic relation between them being the season. Nevertheless, we can appreciate poetry and illustration as sharing in the same spirit and mode, with a minute focus on the details of nature.
Collections
Kubo Shunman
Ryuryukyo Shinsai
commissioned for a New Year, ca. 1819–1820
Hungson Taewon-Gun (Yi Ha-ung)
Hungson Taewon-Gun (Yi Ha-ung)
Hungson Taewon-Gun (Yi Ha-ung)
Hungson Taewon-Gun (Yi Ha-ung)
Hungson Taewon-Gun (Yi Ha-ung)
Hungson Taewon-Gun (Yi Ha-ung)