https://emuseum.cornell.edu/internal/media/dispatcher/79012/fullAmulet (Tcherot)mid 20th century[]Leather, silver, and copperLeather amulet with silver ornamentation; copper finials on two points; bound with leather string. This amulet likely contains a bit of writing from the Koran. Although only recently has Islam had a great effect on the Tuareg-"Tuareg" derives from the Arabic word "terek" which means "to abandon," that is, abandoned by God-the Tuareg traditionally believe in the mystical powers of Islamic text. These amulets are believed to have the ability to ward off evil. Most Tuareg material culture is symmetrical and non-symbolic. The forms and patterns here do not represent anything in nature, nor do they carry religious significance. Until very recently, Tuareg peoples lived a nomadic lifestyle, trading and raising cattle around the western Sahara and northwestern Sudan. As a result of their itinerant way of life, wealth and their arts must be movable. Wealth is concentrated in cattle and jewelry. Other arts valued among the Tuareg such as poetry, music, and dance creates no material culture that must be carried. Blacksmiths make all silver jewelry and leatherwork among the Tuareg. Regarded by the class-based Tuareg as racially and culturally inferior, members of the blacksmith caste nevertheless hold some power in the community. Just as many blacksmiths are regarded in Africa, the Tuareg believe that blacksmiths have mystical powers and a special relationship to the elements that allow them to work with fire and earth (metals). With these powers they enjoy special privileges and a certain esteem in the community, but are not regarded by the Tuareg as equals. com.gallerysystems.emuseum.core.entities.Classification@65https://emuseum.cornell.edu/objects/40786/rdf