https://emuseum.cornell.edu/internal/media/dispatcher/91220/fullTomorrow Comes1999[com.gallerysystems.emuseum.core.entities.RecordXPerson@19409]com.gallerysystems.emuseum.core.entities.RecordXPerson@19409Soft ground etching, aquatint, drypoint, and monotype with chine collé Edition 4/10Contrasting the ethereal yet entrancing theme of memory is Warrick’s tactile use of multilayered color, lushly gorgeous though more than a pretty façade with nothing of substance underneath. The beautiful handcraft of each of her pieces, with collagelike overlap and combination of various techniques, makes it easy to succumb to the thoughtful and deftly composed images. Warrick scratches, scrapes, and repaints over and over, excavating the life beneath. At first glance, her discovery seems to reveal a world of wonder and childlike pleasure, but there is anger here, too, in an effort to seek out a truth. The furrows she digs create surfaces that trigger a desire to run one’s hands lingeringly over them, as if the very essence of the work could be transmitted through the fingertips, a sensual Braille. —NGcom.gallerysystems.emuseum.core.entities.Classification@5ehttps://emuseum.cornell.edu/objects/36458/rdf