St. Jerome in the Wilderness
Artist
Antonio Castillo y Saavedra
(Spanish, 1616–1668)
Dateca. 1650
MediumReed pen and iron gall ink on laid paper
DimensionsImage/Sheet: 11 1/2 × 8 3/8 inches (29.2 × 21.3 cm);
Backing paper: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
Backing paper: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
ClassificationsDrawings
Credit LineGift of Quinto Maganini
Terms
- Drawings
- Pen and ink
- Animals
- Crucifixes
- Landscapes
- Lions
- Saints
- Trees
Object number56.517
Label CopyScholar, theologian, and translator of the Bible into the Latin vulgate, St. Jerome also spent a period of five years as a hermit in the desert of Chalcis (present day Syria). In this drawing by one of the great figures of the Spanish baroque, the penitent saint is shorn of all of his usual attributes, save a lion from whose paw he pulled a thorn. Castillo often worked in a manner likely learned from artists in nearby Seville with a pen cut from a common reed. Castillo’s fondness for the subject bordered on obsession; at least nine St. Jerome drawings survive. This one reworks a version from the previous decade: here, Castillo has reconsidered the subject to render the saint more alert and engaging, the lion more actively on guard.Like Jan Lievens’s take on St. Jerome (2000.143.005), Castillo has also portrayed the hermit saint as an elderly man. Yet, Castillo’s Jerome does not droop with the weight of devotion. Rather, the subtle, rhythmic strokes of the saint’s nude body and drapery lend an air of fervent devotion.
(“Undressed: The Nude in Context, 1500-1750,” text by Andrew C. Weislogel and presented at the Johnson Museum February 9-June 16, 2019)
Collections
Giovanni Francesco Barbieri, called Guercino
Antonio Giuseppe Basoli
Antonio Badile
Giovanni Britto
Giacomo Antonio Pelligrini