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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/77061/full</value></field><field label="Title" name="title"><value>Landscape</value></field><field label="Dimensions" name="dimensions"><value>Image: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)</value></field><field label="Medium" name="medium"><value>Hanging scroll: ink and colors on silk</value></field><field label="Credit Line" name="creditline"><value>Gift of Dr. and Mrs. Frederick Baekeland</value></field><field label="Object number" name="invno"><value>96.022.002</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
At a young age, Gessen joined Zojoji temple in Edo (modern Tokyo) and there learned painting from Sakurai Sekkan. Later he moved to Kyoto, where his artistic style developed under the combined influences of both the realist painter Maruyama Okyo and the Nanga artist Yosa Buson. As a priest of the Jodo sect of Buddhism, Gessen’s practice of painting and poetry were deployed to raise support for the upkeep of his temple, Chion-in.

In this gentle landscape, a group of scholars cross a bridge, about to make their way between large willow trees and up a steep path to visit a friend, who awaits their arrival at the gate to his mountain abode. (10.27.14)</value></field><field label="Classifications" name="classification"><value>Paintings</value></field><field label="Id" name="id"><value>197513</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>33278</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"><value>Tanke Gessen</value></field><field label="More Information" name="labelText"><value>Born in Nagoya, Gessen joined Zojoji temple in Edo at a young age and there he learned painting from Sakurai Sekkan. Later he moved to Kyoto, where his personal style developed under the combined influences of both the realist painter Maruyama Okyo and the Nanga artist Yosa Buson. As a priest of the Jodo sect of Buddhism, Gessen’s practice of painting and poetry were deployed to raise support for the upkeep of his temple, Chion-in.

In this gentle landscape, a group of scholars cross a bridge, about to make their way between large willow trees and up a steep path to visit a friend, who awaits their arrival at the gate to his mountain abode.




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