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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/73502/full</value></field><field label="Title" name="title"><value>The Tale of Genji - Chapter 42 - His Perfumed Highness (Niou no Miva), V-9 (?)</value></field><field label="Date" name="displayDate"><value>18th century</value></field><field label="Dimensions" name="dimensions"><value>Image / sheet (part a): 10 3/8 × 9 1/8 inches (26.4 × 23.2 cm);
Image / sheet (part b): 9 × 7 7/8 inches (22.9 × 20 cm)</value></field><field label="Medium" name="medium"><value>Album: ink, color, gold, and lacquer on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Dr. William E. Leistner</value></field><field label="Object number" name="invno"><value>84.052.042 a,b</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The 54 individual text (84.52.001-54b) and 54 individual painted leaves (84.52.001-54a) are each mounted unto 27 pages of two large albums(each page has two leaves shown). Each album page is hand decorated with a rimpa motif of morning glory leaves (?) executed in blue and gold. The calligraphic text pages remain unm"ounted. Each leaf is slighly different but all are about 10 1/4" (H) x 9 3/8".. The album pages measure 21 7/8 x 14 3/8 " (H). Unusually fine quality painting for an album of this type, although not completely consistent throughout.</value></field><field label="Classifications" name="classification"><value>Paintings</value></field><field label="Id" name="id"><value>216004</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>32200</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"/><field label="Culture" name="culture"><value>Japan</value></field><field label="More Information" name="labelText"><value>The Tale of Genji, the world-renowned romantic novel written by Lady Murasaki Shikibu in the early eleventh century, was a popular theme in the Edo period. The Johnson Museum album leaves of the illustrations and accompanying inscriptions have been recently identified as a complete set of the fifty-four chapters that make up the Genji tale. The decorative style of embellished paper sheets on which short excerpts from each chapter are presented is close to the albums of The Tale of Genji inscribed by the second Shogun, Tokugawa Hidetada (1578-1632), now owned by the Tokugawa Museum of Art in Nagoya. The paintings follow the traditional Tosa school style in which figures are depicted in a simple and motionless manner in bright colors and gold leaf, based on pictorial codes from the classic Heian and Kamakura periods (eleventh to fourteenth centuries). They are especially reminiscent of the painting style of Tosa Mitsuyoshi (1539-1613), but they are more simplistic and probably datable to the middle of the seventeenth century. (From “A Handbook of the Collection: Herbert F. Johnson Museum of Art," 1998)</value></field><field label="Period" name="period"><value>Edo period</value></field><field label="Media" name="media"><value>84.052.042_a_Disc18_059</value></field></object>