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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>https://emuseum.cornell.edu/internal/media/dispatcher/69627/full</schema:image><schema:name>Gin Lane</schema:name><schema:dateCreated>1751</schema:dateCreated><schema:creator>[com.gallerysystems.emuseum.core.entities.RecordXPerson@184bf]</schema:creator><schema:creator>com.gallerysystems.emuseum.core.entities.RecordXPerson@184bf</schema:creator><schema:artMedium>Etching and engraving on medium weight laid paper</schema:artMedium><schema:description>William Hogarth
London 1712–1784 London
Gin Lane
1751
Etching and engraving
Plate: 15 5/16 x 12 5/8 inches (38.9 x 32.1 cm)
Sheet: 22 x 17 5/8 inches (55.9 x 44.8 cm)
Paulson 186 iii/iv
Membership Purchase Fund
76.103.066
This pair of well-known views constitutes a realistic if mostly imaginary London stage set for representing the moral contrast between an honest and life-enhancing local product—beer—and the evils associated with a much stronger and dangerously appealing import—gin. In Gin Lane, the baby falling to its death from the lap of its inebriated mother is echoed in the city itself by a building that is falling down in the center background. Gin is killing the city no less than its people.

Stuart M. Blumin</schema:description><schema:artForm>com.gallerysystems.emuseum.core.entities.Classification@5e</schema:artForm><schema:url>https://emuseum.cornell.edu/objects/31534/rdf</schema:url></schema:VisualArtwork></rdf:RDF>