Linger Longer Loo (Plate VII)

Artist Henri-Marie-Raymond de Toulouse-Lautrec (French, 1864–1901)

Date1898

MediumLithograph

DimensionsImage: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)

ClassificationsPrints

Credit LineAcquired through the Museum Associates Purchase Fund

Terms

Book illustrations
Female portraits
Lithograph
Actresses
Gloves

Object number62.0934 i

Label CopyA subject for many artists, Yvette Guilbert was born into a poor family as Emma Laure Esther Guilbert. She began singing as a child but at age sixteen worked as a model at the Printemps department store in Paris. She was discovered by a journalist and began taking acting lessons on the side that by 1886 led to appearances on stage. Guilbert debuted at the Variette Theatre in 1888 and eventually sang at the popular Eldorado club, then at the Jardin de Paris before headlining in Montmartre at the Moulin Rouge in 1890. The English painter William Rothenstein described this performance in his first volume of memoirs: "One evening Lautrec came up to the rue Ravignan to tell us about a new singer, a friend of Xanrof, who was to appear at the Moulin Rouge for the first time. . . . We went; a young girl appeared, of virginal aspect, slender, pale, without rouge. Her songs were not virginal-on the contrary; but the frequenters of the Moulin were not easily frightened; they stared bewildered at this novel association of innocence with Xanrof's horrific double entente; stared, stayed and broke into delighted applause." For her act, she usually dressed in bright yellow with long black gloves and stood almost perfectly still, gesturing with her long arms as she sang. An innovator, she favored monologue-like "patter songs" (as they came to be called) and was often billed as a "diseuse" or "sayer." The lyrics (some of them her own) were raunchy; their subjects were tragedy, lost love, and the Parisian poverty from which she had come. Taking her cue from the new cabaret perfor-mances, Guilbert broke and rewrote all the rules of music-hall with her audacious lyrics, and the audiences loved her. She was noted in France, England, and the United States at the beginning of the twentieth century for her songs and imitations of the common people of France.

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