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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/79899/full</value></field><field label="Title" name="title"><value>Nihonbashi (The Bridge of Japan), #1 from Fifty-Three Stages of the Tokaido</value></field><field label="Date" name="displayDate"><value>later edition of 20th century</value></field><field label="Dimensions" name="dimensions"><value>Image: 9 5/8 x 10 inches (24.4 x 25.4 cm)</value></field><field label="Medium" name="medium"><value>woodblock</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. David Copman-Sebesta</value></field><field label="Object number" name="invno"><value>93.008</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Seen here in the center is the vanguard of a daimyo's retinue.  The two men in front are carrying basamibako, chests with long handles on one side which were usually used for packing clothes.  Behind are two lace-carriers, their weapons wrapped in the fashion of those peaceful times.  At right are two dogs and at left a group of fishmongers from the nearby fish market.  The time is early morning, and the colors are appropriately fresh and clear.  From Nihonbashi, the daimyo an his procession are presumably setting out on the 292-mile trip down the Tokaido to Kyoto.</value></field><field label="Classifications" name="classification"><value>Prints</value></field><field label="Id" name="id"><value>188825</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>27105</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"><value>Utagawa Hiroshige</value></field><field label="Media" name="media"><value>93.008_Disc0192_01925029</value></field></object>