<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/76155/full</value></field><field label="Title" name="title"><value>Doll (mwana hiti)</value></field><field label="Dimensions" name="dimensions"><value>Height: 5 inches (12.7 cm)</value></field><field label="Medium" name="medium"><value>Wood</value></field><field label="Credit Line" name="creditline"><value>Gift of William W. Brill</value></field><field label="Object number" name="invno"><value>90.016.048</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Wood doll with abstracted body and head and necklaces.

Young Zaramo women undergo an initiation seclusion during which time they receive a mwana hiti, "wooden child." While secluded, she cares for the doll as though it were a real child. When re-entering society, the young woman performs a dance with the doll.

The mwana hiti features a distinctive, double-wedge, coiffure. This hairstyle is an ideal old-fashioned type and no longer worn by Zaramo women. In holes through these wedges a young woman might attach her own hair.

Mwana hiti represents both sexes; its overall form is phallic, yet its decorations of beads, shells, or bits of fabric are female.

Suggested reading:
Elisabeth L. Cameron. Isn't s/he a doll?: Play and Ritual in African Sculpture. Exhibition catalogue. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 1996.
</value></field><field label="Classifications" name="classification"><value>Sculpture</value></field><field label="Id" name="id"><value>214930</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>25270</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"/><field label="Culture" name="culture"><value>Zaramo (Tanzania)</value></field><field label="More Information" name="labelText"><value>BRIEF DESCRIPTION
This is a carved wooden figure from the Zaramo culture in Tanzania.

WHERE WAS IT MADE?
The Zaramo live in Tanzania.

HOW WAS IT MADE?
This figure was hand carved from a single piece of wood with tools such as an adze, knives, and chisels.

HOW WAS IT USED?
Young Zaramo women undergo an initiation seclusion during which time they receive a mwana hiti, “wooden child.” While secluded, the initiate cares for the doll as though it were a real child. When re-entering society, the young woman performs a dance with the doll. 

If a young married woman has difficult conceiving a child, she will wear the mwana hiti on her back like a surrogate child, hidden from public view, until she conceives.

WHY DOES IT LOOK LIKE THIS?
Notice the double-wedge coiffure; this hairstyle is an ideal old-fashioned type and no longer worn by Zaramo women, although it is a typical feature of mwana hiti.  The owner of the doll might attach her own hair through holes in these wedges.

The mwana hiti represents both sexes; its overall form is phallic, yet its decorations of beads, shells, or bits of fabric are female.
</value></field><field label="Media" name="media"><value>90.016.048_d0566_030</value></field></object>