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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/113008/full</value></field><field label="Title" name="title"><value>Yao ritual painting of Yuanshi  (Celestial Worthy of Primordial Beginning)</value></field><field label="Date" name="displayDate"><value>Early 20 century</value></field><field label="Dimensions" name="dimensions"><value>Image: 46 1/16 × 17 13/16 inches (117 × 45.2 cm)</value></field><field label="Medium" name="medium"><value>Hanging scroll: ink on paper, backed with paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. Bart Nelson Stephens</value></field><field label="Object number" name="invno"><value>85.059.001</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The large central figure of the Jade Emperor is depicted wearing wide flowing red robes decorated with blue dragons, over green underrobes. He is holding a bowl (containing the pill of immortality?) in his right hand; the long whisks of black side-burns and beard are gathered in his left hand. He wears a small wave-(or cloud)-and-pearl crown and has a white-ringed, red-flaming halo. Behind the halo is a mass of drapery like material, in the shape of a mountain, or parasol, with a pearl at the top. To the either side of the halo are phoenix-heads from which dangle decorative tassels with symbols, flanked by small blue, red, orange and green clouds. The Jade Emperor is seated on a dragon throne. Between the lower folds of his gown is a small barefoot figure, with one arm and one foot raised, holding his pig-tail. Below this figure is a vertical inscription panel with 9 characters (8? What, then, is the second-to-last brushmark, if not a character?) Flanking the inscription panel are two ferocious blue dragons with front-lfeg talons out-stretched; and in each corner stands a female figure, wearing alternately colored green and red garments, each holding a book, both facing in towards the center. Some red staining (cock's blood?) and some wrinkling at base. Some of the patterning on the robes is done with a shinier wax-like substance. THE GENERAL FORMAT OF THE 17 PANELS:  All have blue wavy borders around the vertical sides and the bottom and three dark grey floral medallions at the top, in a horizontal panel, some on a reddish ground, others on the natural beige ground of the paper. Information from Gichner's appraisal and from observation.  6/3/86  Astri W.</value></field><field label="Classifications" name="classification"><value>Paintings</value></field><field label="Id" name="id"><value>210394</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>18582</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"><value>Unidentified artist</value></field><field label="Culture" name="culture"><value>Vietnam</value></field><field label="Media" name="media"><value>85.059.001.1stview</value><value>85.059.001.2ndview</value></field></object>