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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.cornell.edu/internal/media/dispatcher/73129/full</value></field><field label="Title" name="title"><value>Beaded doll (ngidie)</value></field><field label="Dimensions" name="dimensions"><value>3 x 3 inches (7.6 x 7.6 cm)</value></field><field label="Medium" name="medium"><value>Beads and mixed media</value></field><field label="Credit Line" name="creditline"><value>Gift of William W. Brill</value></field><field label="Object number" name="invno"><value>81.024.009</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>Stylized doll composed of mostly white beads.

Among the Turkana peoples, an ngidie functions in two ways, neither of which is as a plaything. Together, parents may make an ngidie for a maturing daughter; the father carves the wood, and the mother "clothes" it with beads, shells, and other materials. In this case, the ngidie serves to make certain that the girl will have babies of her own. In other cases, an infertile woman might make one for herself in order to encourage pregnancy. Women dress and "feed" the ngidie as though they were actual children. 

Ngidie are not intended to resemble the human form. Composed primarily of palm nuts, they reference male genitalia.
 
Suggested reading:
Elisabeth L. Cameron. Isn't s/he a doll?: Play and Ritual in African Sculpture. Exhibition catalogue. Los Angeles, CA: UCLA Fowler Museum of Cultural History, 1996.
</value></field><field label="Classifications" name="classification"><value>Artifacts</value></field><field label="Id" name="id"><value>213914</value></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Source ID" name="sourceId"><value>14711</value></field><field label="Depth" name="depth"/><field label="Artist / Maker / Culture" name="people"/><field label="Culture" name="culture"><value>Turkana (Kenya)</value></field><field label="More Information" name="labelText"><value>BRIEF DESCRIPTION
This beaded “doll” is given to a married woman to encourage fertility.

WHERE WAS IT MADE?
The Turkana are a nomadic group in Kenya, the second largest group after the Maasai. 

HOW WAS IT MADE?
This type of ngidie is made from palm nuts and strings of beads. They are generally made by the recipient’s mother.

HOW WAS IT USED?
Although referred to as a doll by Western scholars, among the Turkana peoples a ngidie functions in two ways, neither of which is as a plaything. Together, parents may make a ngidie for a maturing daughter; the father carves the wood, and the mother “clothes” it with beads, shells, and other materials. If the girl treats this figure as she would a real baby, it ensures that she will have babies of her own. Mothers also give their married daughters a type of ngidie, like this one. Women dress and “feed” the ngidie as though they were actual children. During the day, they may wear the ngidie around their necks.

WHY DOES IT LOOK LIKE THIS?
Although this type of ngidie, used by married women, might be treated as one would treat a child, it is not intended to resemble the human form. Composed primarily of palm nuts, they reference male genitalia. In this way they are different from ngidie made for girls, which are carved from wood and do resemble the human form. Ngidie made for adult women are adorned with beads that are provided by the best friend of the woman’s husband.
</value></field><field label="Media" name="media"><value>81.024.009_Disc8040_80405024</value></field></object>