Stirrup-Spout Human-Llama Effigy Vessel

DateAD 1200-1470

MediumCeramic

DimensionsOverall: 8 3/4 × 5 1/2 × 6 1/2 inches (22.2 × 14 × 16.5 cm)

CultureChimu (Peru)

PeriodLate Intermediate Period

ClassificationsCeramics

Credit LineGift of the Estate of Harold E. Moore, Jr.

Terms

Perú
Ceramics
Ceramic
Chimu

Object number80.064.001

Label CopyBRIEF DESCRIPTION The term “effigy” is used to describe a sculpture or vessel in the shape of a person or animal. This Chimú vessel is of a human figure carrying an animal, either a llama or a deer. WHERE WAS IT MADE? This vessel was made in what is now Peru. HOW WAS IT MADE? Chimú pottery was typically mass-produced using two-part press molds. First an original form was made from clay. After creating the mold (also ceramic) from this original, clay would be pressed into each half, and then later joined together. A variety of decorative motifs were molded in surface relief. Finally, the vessels were highly burnished prior to being fired in an earthen pit. The black color of “blackware” is achieved in the firing process. While firing ceramics in a pit fire, the fire is smothered just enough to remove excess oxygen while still burning hot enough to fire the pottery. Unlike ceramics fired with plenty of oxygen, which may range in color from creamy buff to orange or red, ceramics fired in a “reducing” atmosphere will be gray or black in color. HOW WAS IT USED? The function of pre-Columbian ceramic vessels is not easy to ascertain. Were these vessels made for the dead, fancy grave goods with specific religious or mythical imagery, or were they treasured possessions used in life? Or both? Although most pottery made in the past was functional ware used to cook, store, or serve foods, more elaborate pieces also conveyed social information. It appears that pre-Columbian people may have had special pots for display in their homes or for use during special occasions. According to the earliest chroniclers after the Spanish conquest, people put pottery on display in their homes that reflected what they did to make a living; for example, fishermen displayed pots with sharks in their homes, while hunters displayed pots with deer and other land animals. Bottles of this stirrup-spout type may have been used to carry and serve liquids, since the narrow-necked bottle shape would have reduced losses from accidental spills and evaporation. Although water is vital in desert environments such as those found in many parts of the Andes, recent analyses of residues from Peruvian bottles and jars suggest that most of them were used to serve corn (maize) beer or chicha. Chicha was both an everyday beverage, made in households for family consumption, and an essential element in ritual and social interactions. WHY DOES IT LOOK LIKE THIS? Notice the animal carried on the back of the figure; it is difficult to tell whether it is a deer or a llama. The person could either be a hunter or someone about to make a sacrificial offering of a young domesticated llama. Llamas were important animals in the pre-Columbian Andes, since they were the primary beasts of burden, transporting goods over long distances. Llamas were also an important source of meat and fiber (for the coarser textiles such as blankets). Llama fetuses were prized for their role in religious ceremonies; they have continued to be an important source of offerings to the mountain gods into modern times. If you look carefully, you will see that the animal's head is erect and bears a lively expression, so rather than depicting a victorious hunt, it is more likely that this scene depicts an activity associated with animal husbandry. The figure wears a tall, conical helmet-like hat with a chinstrap, a belt, and a loincloth. ABOUT THE CHIMÚ CULTURE: The Chimú Empire, or Kingdom of Chimor, was established in the Tenth Century in the Moche Valley on the north coast of present-day Peru. By 1400 AD, the Chimú ruled an empire 800 miles long, encompassing the fertile, agriculturally productive irrigated coastal valleys stretching from Tumbez to Chillón. The imperial capital of Chan Chan, located near the modern city of Trujillo, covered 20 square kilometers, housed a population of 50,000 to 100,000 people, and included pyramids, residences, markets, workshops, reservoirs, storehouses, gardens, and cemeteries. Chimú architecture is made of adobe decorated with geometrically patterned mosaics or molded bas-reliefs of stylized animals, birds, and mythological figures. Chimú artisans used similar decorative elements in their pottery, metal ornaments, and finely detailed textiles, many of which are embellished with ornate featherwork. Chimú pottery was mass-produced in molds by craft specialists and is typically highly burnished blackware. The most common shape was the stirrup-spout bottle, which often has a small monkey figure located on the spout. After the Inca conquest of Chimor in 1470, during the reign of Pachacutec Inca Yupanqui, Chimú vessels tend to have broad, flaring spouts similar to those on Inca aryballoid jars. Chimú-Inca vessels often have shapes similar to the Inca aryballos or urpu, but are made of typically Chimú blackware and are decorated in characteristically Chimú style.

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